Este seminário analisa as formas de movimentos e infraestruturas de participação que emergem de iniciativas artísticas bottom-up e independentes. Assuntos tais como o crescimento e subsistência, posse e autoria, processo criativo e output no contexto da produção artística independente serão discutidos.

Oradores: Teresa Dillon, IRE/UK - artista, investigadora e directora da Polar Produce/N.I.P./UM;
Luis Silva, PT - curador, Upgrade! Lisboa e Rhizome;
Takuro Lippit, NL – músico e conselheiro artístico, STEIM;
Paulo Raposo, PT – músico e director da Sirr records.
Moderador: Luísa Ribas, PT - Docente FBAUL.

Sáb. 21 Junho . 11.30-13.30
Clube Português de Artes e Ideias
Largo Rafael Bordalo Pinheiro, 29, 2o [ao Chiado]

Bios
Teresa Dillon

Teresa Dillon’s work focuses on the exploration of human, socio-cultural and economic relations, behaviours and forms of communication that emerge within and between different systems and ecologies. Drawing on a variety of technologies and methods, she creates work, which combines pop, DIY, low and high art aesthetics.

Over the years, her approach has led to a broad body of work from location or site-based, performances and installations, to academic and applied research and interface design, to the curation and production of public art events and programmes, as well as music, sound art and writing.

Alongside her individual practice, Teresa currently directs the Bristol based collective Polar Produce (including Kathy Hinde, Philip O’Dwyer and Maarten de Laat), through which she co-organizes and curates the OFFLOAD programme. In 2007, Teresa set up N.I.P. - New Interfaces for Performance a European, distributed touring network and research space for practitioners working and developing interfaces for live performance and interactive installation. N.I.P. currently includes 12 artists, draw from across the UK, Portugal and The Netherlands. Teresa’s work has been shown internationally, she has published on creative collaboration, new media and design. She also works as a freelance producer (BBC) and lectures at Cambridge University.

Takuro Lippit
dj sniff (Takuro Mizuta Lippit) believes in the instrumental autonomy of the turntable and the musicianship of the DJ. He is a turntable musician working in the field of improvised and experimental music. His music focuses on the live reconstruction and narratization of the phonographically amplified - the music, the sound, the technology and the past. In 2002, he moved to New York to pursue graduate studies in computer music and physical computing at NYU’s ITP (Interactive Telecommunications Program). Since 2005 he has been involved with STEIM’s (Studio for Electro-Instrumental Music, Amsterdam) R&D lab and is currently its Artistic Co-Director.dj sniff regularly performs with computer musician Yutaka Makino as Audile and with saxophonist Keir Neuringer.

Paulo Raposo
Paulo Raposo nasceu e vive presentemente em Lisboa, Portugal. Após estudos de Filosofia e Cinema, tem desenvolvido uma actividade constante nas àreas da publicação, performance, e exibição em rádio, vídeo, som, instalação, performance e novos media. O seu trabalho é reconhecido internacionalmente no domínio da arte
intermedia e new media, com incidência no uso das novas tecnologias de som e imagem e na concepção e programação de software interactivo em tempo real.

Luísa Ribas
Assistente do Grupo de Design de Comunicação na FBAUL (1998 - presente).
Mestrado em Arte Multimédia (2002) ; com dissertação intitulada “Sobre o Papel do Som no Audiovisual” e Licenciatura em Design de Comunicação (1996), ambos pela FBAUP. Assistente convidada no ICICOM - FLUP/FBAUP; em Teoria do Som (2004/2006). Assistente convidada na FBAUP ( 1997/98).